Handmaid's Tale Season 2 Episode 8 Putlocker

Sat, 20 Feb 2021 11:40:47 +0000

The scene in which the Putnams receive the news while Janine must only guess what's going on by looking through the glass is so well executed that it's easy to overlook the fact that the medical-mystery facet of this plot line feels dubious at best. Then, in what has to be a Biblical allusion to the disciples falling asleep in the Garden of Gethsemane on the night before Jesus was crucified, at the end of the episode the Putnams and Aunt Lydia are strewn about on couches, with Janine's voice lightly singing Dusty Springfield. By the way the camera slowly panned over to her, it seemed like we were being set up for Janine, holding a dead baby and singing to her with a crazed look on her face. But for perhaps the first time in Handmaid's Tale history, the outcome for a woman is better than anticipated, and tiny baby Charlotte is happily cooing at her mother, who has stripped down to her underwear and holds her in the light like an ad for a hip parenting website. Will evidence of the natural healing powers of a mother promote change in Gilead's policies?

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Restored to a room of their own, they can think, plan, write — and quite literally put their feet up. They can pop a record onto the turntable — some Lionel Richie, in this case — and feel their brains expand despite, or perhaps because of, the confines of the room. Some sins, June notes in her opening dialogue, are far more easy to delude yourself about. How does Serena feel about "falling, " she wonders? "She seems pretty fucking happy. " And that's because Serena is convinced that she is still doing God's work, even while she defiles the very tenets she helped create — that a woman is a "helpmeet" for her spouse, a figure created under him so that he will not be alone. If she's keeping Gilead propped up, Serena wagers, God will forgive her the small sins of reading, writing, thinking on her own. And Fred's gratitude will supersede his own piety, leaving him indebted to her for saving the nation. It's not easy to feel bad for Serena, whose prior zealotry blinded her to common human decency, but seeing her happily enmeshed in her work again is almost as painful as watching June underline and scribble with the same relish she once applied to her publishing job.

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The Handmaid's Tale: Season 2 Episode 8 Watch Online - Putlocker

And the click of the door is very final — Fred may have needed her to keep him in power while he was weak, but now he isn't taking any risks. (As for that upcoming Canada excursion, there have been hints dropped all through this season that something major is brewing up north. Luke pointed out a few episodes back that it seemed likely that Canada might invade the U. S. sometime soon, and in last week's episode the Canadian authorities themselves expressed some enthusiasm at the idea that the resistance was launching its own internal coup by means of Ofglen's IED. Why is Commander Waterford planning a trip to Canada? Is it a ploy on behalf of the Canadian government to falsely convince Gilead that they are willing to work together? An intel-gathering operation? It would be fitting if Canada, Margaret Atwood's home country, were to set in motion an invasion or insurgency that brings down Gilead. ) The entire quest with baby Angela/Charlotte (it's worth noting that Angela is a common Christian name, meaning "angel, " but Charlotte, Janine's preferred name for her baby, comes from a French root that means "free man or woman") is a test of Serena's newfound taste for freedom and desire to steer Gilead back in the direction she originally ordained.

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Gilead might be a 'man's world', but it means nothing without a woman's heart. Feeling sympathy for Serena Waterford was something that was barely imaginable in season one, yet here we are, alongside June, hoping she is okay. Even though the show is careful about asking too much sympathy for Serena Joy, this is also the episode that exposes the awkwardness behind the show's diversity. The Handmaid's Tale remains completely unpredictable, because there are no one-dimensional characters. Serena not only took a very big risk to help others, she suffered very painful consequences for it. For the first time all season, Fred is ascribing to the "superiority" of his gender that Gilead has given him. Warning: If you haven't felt any sympathy for Serena up to this point in the series, you may after watching this episode. It's beautiful and haunting as Janine carries on singing over the credits. Like her, her song is sweet and unaffected. But it's sad; being with her baby is literally all she wants.

Serena explicitly defies Waterford by enlisting the female doctor. "I did it for the child, " she explains when he confronts her. "What greater responsibility is there in Gilead? " Waterford can think of one: "Obeying your husband, " he says. Then he whips her with Offred in the room. This spectacle isn't quite the same as the Ceremonies, but it feels connected to them. In both cases, one woman is made to witness another woman's humiliation and suffering, and the onlooker's failure to intervene makes her complicit. For Serena, Waterford's cruelty is a shock. She isn't just reacting to physical pain when she stares at her wounds in the mirror and cries. It's finally hitting home that his loyalty isn't to her — or even to the causes of Christianity and human repopulation that supposedly drove their original movement. Waterford, who was too often framed as a nice-guy ideologue in Season 1, is actually an insecure man whose loyalty to Gilead apparently stems from a compulsion to dominate his intellectually superior wife.

Photo: George Kraychyk/Hulu In A Room of One's Own — the seminal feminist text explaining that "a woman must have money and a room of one's own, " if she is to succeed as a writer — Virginia Woolf makes the persuasive (albeit classist) argument that "intellectual freedom depends on material things. " The room she is talking about is certainly metaphoric, but it certainly also tangible — it has walls, a door, an ability to keep people and distractions out, and it serves a purpose separate from housework. Most importantly, she makes clear, it has a lock: "A lock on the door means the power to think for oneself. " The room she is describing might as well be the study in the Waterford house that Serena and June commandeered last episode and settle into during the months of the Commander's hospital convalescence. It's as traditionally masculine in design as you might imagine — fortified paneled wooden walls, an armory of books, and a carved, heavy desk like a parapet. But the two women slide into the space with ease.